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Tasting Menu: Timothy Feeney / Cassia Streb / Cody Putman
Colin Cannon Get Up
String Noise: Only Time Will Tell by Charles Overton
Adam Matlock - Nahadoth - Dungeon Synth
Andrea Parkins / Matthew Ostrowski
James Ilgenfritz plays Annie Gosfield's Rolling Sevens And Dreaming Elevens
Elliott Sharp / Janene Higgins: Filiseti Mekidesi (excerpts)
Tasting Menu is a Los Angeles-based collaboration exploring instrumental and found sound, movement, tape recorders, door frames, window panes, rainstorms, pine cones, concrete floors, fire road tunnels, and children’s cartoons.
Colin Cannon "Get Up"
Colin Cannon is a critically acclaimed composer who utilizes sound collage and electronics in an experimental blend of progressive rock, modern jazz and contemporary classical music. His previous album entitled Intermission was ranked in the top five jazz albums of 2016 and his most recent work, entitled McGolrick, will be released on Infrequent Seams in February 2021.
String Noise: Only Time Will Tell (2020) by Charles Overton
Only Time Will Tell is an exploration of the overlap and connections that can be found in my various musical experiences, and one that came to mind was the crucial role that time plays in the music we create. In writing music for the present moment, the overall arc of the piece, somewhat unintentionally, grew out of this great uncertainty we feel right now both personally and in our greater communities at large.
This is a video from the LIVE premiere performance on Carnegie Hill Concerts Midday Music Festival 2020.
Nahadoth - Dungeon Synth
Nahadoth is an alias of composer Adam Matlock. Nahadoth plays dungeon synth inspired by nature and ritual.
Viola Yip & Nicola L. Hein: Transsonic
Nicola L. Hein and Viola Yip are a transmedia duo exploring musical possibilities beyond the realm of sounds through immersive site-specific performances and installations. It is an ongoing project that develops the rich nexus of light and sound, which engages these media as dialectical musical counterpoints.
Andrea Parkins / Matthew Ostrowski Duo
Separated by the Atlantic Ocean, Parkins and Ostrowski continue their ongoing collaboration, exploring their shared fascination with connections between physical and musical gestures, densely interwoven meshes of events, and the aesthetics of interruption and breakage.
James Ilgenfritz: Annie Gosfield's Rolling Sevens & Dreaming Elevens
Contrabassist James Ilgenfritz performs Annie Gosfield's 2013 composition, commissioned and recorded for Ilgenfritz's 2017 album Origami Cosmos.
Object Collection shows the Prologue to their new piece "Look Out Shithead", a love story inspired by the films of Éric Rohmer. A vampire-novelist weaves her web of intrigue around a company of mismatched lovers, occultists, and under-cover special agents - let’s talk about love, again, again, again and again.
The annual Two-0-Nine Ensemble, 2020 edition, comes together again, this time with electronics, violin, clarinet(s), buzuk, shakuhachi, kamancheh, and percussion. All performed by doctoral students and faculty member of the Integrated Composition, Improvisation, and Technology program at UC Irvine.
The opera Filiseti Mekidesi by Elliott Sharp is a visceral meditation about the universal search for a safe neutral place. It doesn't tell a linear narrative but uses musical and poetic means (with texts by Tracie Morris, Edwin Torres, and Sharp) to reflect moments and situations in cosmic and human history in particular resonance with current events of great urgency.
released January 15, 2021
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Rhizome DC's mission is to to provide space and support for experimental and underrepresented arts, music, and culture in Washington, DC; to serve as a hub for people to connect around shared interests, passions, and curiosities; and to promote creativity as a force for personal empowerment and community engagement.
"OOTHER LOOUD MUZIK -Clozn vp Pageants since 2012" We presents new work by emerging composers & performers in New York City
& elsewhere. We seek to locate a post-downtown musical practice in & out of New York City. Conceptually we support music that treats the AACM, MEV, Sonic Arts Union, No Wave, the New York School, and Vision / Arts For Art as antecedents to one emerging post-millennial genre....more